Joe Fig on Artist's Network

The magazines I write for buy all the rights, in perpetuity, to all the articles they commission me to write. More and more frequently I'm seeing articles I wrote years ago, repurposed. In this case I'd written a feature review on miniatures in art for Artist's Magazine that included a short discussion of the amazing miniaturist Joe Fig.

They have plundered their archives, taking my article and created a mash-up written by someone else. I was paid well for the original piece, but I don't get royalties, and neither do artists when their work is resold, usually at auction, and often at much higher prices than the collector originally paid for it. Such is the art market. At least they gave me credit in the byline which is OK. It just adds to a rather long list of publishing credits and demonstrates the longevity of articles I've pitched and that they've greenlighted.

greenlightedhttps://www.artistsnetwork.com/artist-profiles/joe-fig/?utm_campaign=Artists+Network+-+Newsletter&utm_id=Newsletter_20260609_GPM260601015&utm_medium=email&utm_source=omeda&oly_enc_id=8020G9659290B1C

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.