The regional modernist, Harold Weston was another discovery afforded me through my writing about art and culture. My review of his exhibition at Vermont's Shelburne Museum was published today in Art & Object.
Here you will find postings of recent public readings, reviews of theatrical performances that I've written for Burlington Vermont's Flynn Theater blog, along with other articles as they appear in various publications throughout the year. Occasionally I'll toss in a link to something of interest to writers, artists, and filmmakers that was not written by me.
My latest Watch This / Not That featured in Art & Object. I always discover new films and artists while working on these articles.
So pleased to have my essay What’s Love Got To Do With It? selected as the only nonfiction piece to appear in this edition of the literary journal Orson’s Review:
I’ve known Ondi since she was a student at Yale. It was great reconnecting in this interview for Art & Object:
A mixed review of the films of French documentary maker Raymond Depardon published in the winter edition of Documentary Magazine.
This comment about my writing from the editor of Adelaide Literary Magazine made my day.
"I would like to thank you for your contribution and to invite you to continue publishing in the Adelaide Literary Magazine. Your writing is expressive, mature, and multi-layered, and it was my particular pleasure to bring it to readers."
Here's my essay titled Going Hunting:
They also publish in print. You can order a copy on Amazon. https://www.amazon.com/dp/1949180441/ref=sr_1_1?s=books&ie=UTF8&qid=1542478294&sr=1-1&keywords=ADelaide+Literary+Magazine+No.18+November+2018
Here's my latest review in Art New England of New England Now, an intelligently curated exhibition full of surprises at the Shelburne Museum:
It was a pleasure being interviewed by Garrett Dennert, nonfiction editor for Orson's Publishing. My essay, "What's Love Got to do With It?" will be appearing in their spring 2019 issue.
An innovative way for some collectors to bring their art into the public sphere was to open their own hotels. I cover that and other revelations about museum quality art found in hotels in this recent article for Art & Object: