Making Her Mark a Groundbreaking Exhibition at the BMA

The Baltimore Museum of Art has done more for championing the role women have played throughout art history than any other comparable institution that I know of. This show is remarkable for its scope and is emblematic of their ongoing commitment to repositioning women in the art historical canon. I loved writing this review that focused on some of my previous favorites and some new discoveries. Check it out, published today on Art & Object.

https://www.artandobject.com/articles/making-her-mark-explores-four-centuries-groundbreaking-women-artists-europe

Cynthia Close

Armed with an MFA from Boston University Cynthia plowed her way through several productive careers in the arts including instructor in drawing and painting, Dean of Admissions at The Art Institute of Boston, founder of ARTWORKS Consulting, and president of Documentary Educational Resources - a nonprofit film distribution company. She now claims to be a writer.

In addition…
To support this claim, she is a contributing editor for Documentary Magazine and writes regularly about art, cinema, and culture for, Artist’s Magazine, Art & Object, Pastel Magazine, Art New England, Vermont Woman, and formerly for Professional Artist Magazine. Her creative non-fiction appeared in the 2014, 2016, and 2017 anthology The Best of the Burlington Writers Workshop. Her essays have been published in various literary journals including 34th Parallel, Across the Margin, Adelaide, Agni, Bacopa Literary Review, The Black and White Anthology, Blood and Bourbon, The Brooklyn Film Arts nonfiction prize finalist, From Whispers to Roars, The Longridge Review, Montana Mouthful, Orson’s Review, The Seasons of Our Lives, Swallow Press, The Twisted Vine, Wagon Bridge Press, and The Woven Tales Press, among others. She has read publicly at many venues including the Cornelia Street Café in NYC. She was the inaugural art editor for the literary and art journal Mud Season Review launched in 2014.